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MakeMake is the product of unbound creativity supported by opportunity. Today it is a collective of best-in-craft talent spanning across multiple companies.

The very latest in studio news from the world of MakeMake.

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Multi-Hyphenate Italian Artist Margherita Premuroso Joins Elastic as Creative Director

She is an award-winning art director, character designer, animator and illustrator bringing years of experience and a unique eye to the Elastic team.

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Super Bowl LV Commercials Were a MakeMake Family Affair

For us, the football game was not the Tom Brady versus Patrick Mahomes event, it was the ultimate Sunday for creative advertising.

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Elastic Creates the Visual Design for HBO’s “Between the World and Me”

Under the creative direction of Hazel Baird, the title sequence, graphics, and animations helped bring joy and movement to Kamliah Forbes’ screen-adaptation of Ta-Nehisi Coates’ powerful book.

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Elastic Honored with a Multitude of Awards in 2020

Elastic’s trophy shelves are filling up as the design company took home nearly two dozen awards in 2020.

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Elastic and Primary Team Up On the Main Title for Netflix’s Ratched

Grand. Macabre. Surrealist. The Ratched main title can be described in many sinister ways; typical of a classic Ryan Murphy production, it is an intricately thought out and layered extension of a glossy, psycho-thriller.

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Elastic Motion Designers Hazel Baird and EJ Kang Guest Lecture at Johns Hopkins University

Elastic’s Hazel Baird and EJ Kang had the recent pleasure of sharing their work, tips, tricks, and general career advice during a guest lecture for a film class targeted towards students interested in post production.

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Elastic Partners with UK Animation Studio Feed Me Light for Transatlantic Representation

Like-minds and creative collaboration nets a strong realtionship across the pond.

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Netflix - Kevin Hart: Don’t F--k This Up
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MakeMake and Elastic Score Emmy Nominations

We are excited to celebrate multiple Emmy nominations received within the MakeMake family.

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Hazel Baird and Heidi Berg Discuss the Opening Titles for Semi-Permanent

Elastic Creative Directors discuss the details behind their opening credits for Semi-Permanent Sydney

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How The Politician Turned Ben Platt Into a Wooden Mannequin

“We had people bringing their woodworking tools in from home,” Berg adds. “We learned so much from them. And actually, the tools you see in the sequence belonged to members of our team.”

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