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Editing for Feature Film — Television — Music Video — Commercial
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The very latest in studio news from the world of MakeMake.
MakeMake Tells The Story Of Jennifer Lopez’s Remarkable Career In Netflix’s Halftime
Faced with the challenge of distilling decades into one documentary, Halftime shows just how far Jenny from the block has come.
Elastic’s Opening Sequence for Sweeping Drama “Pachinko” Receives Widespread Acclaim
Pachinko chronicles the hopes and dreams of four generations of a Korean immigrant family across Korea, Japan, and America. A story of this caliber required a brilliant title sequence to match, and that’s where Elastic came into the picture.
Elastic Creative Director Margherita Premuroso Brings Her Signature Style to a New Project for Comcast
Using bold colors and playful illustration, Margherita Premuroso animated this commercial series for Comcast which celebrates the dreams of the next generation.
Olivier Bugge Coutté Cuts Oscar-nominated “The Worst Person in the World”
A great film is comprised of all the little things.
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MakeMake Cuts, Colors, and Composites its way through the Super Bowl
a52, Primary, and RPS left their mark on the 2022 Super Bowl campaigns.
Tom Eagles Joins Rock Paper Scissors for US Commercial Representation
The Oscar nominated editor’s brilliant use of satire and affinity for comedy are perfect fits for the RPS roster.
Gregory Reese Colors “Star Trek: Prodigy”
Unlocking new possibilities for perfecting animation with color.
MakeMake Cuts New Documentary About the “Wonder Kid” of Soccer for Netflix
Makemake editorial team lead by Will Znidaric builds the world and story of Neymar Jr.
ESPN+ presents “Tom Brady: Man in the Arena”
The Elastic team collaborated with Religion of Sports to give the series a distinct visual identity.
Artist Spotlight: Kirk Shintani
“This work is about interpersonal relationships and communication.”