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Editing for Feature Film — Television — Music Video — Commercial
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The very latest in studio news from the world of MakeMake.
Creative Director Hazel Baird Turns Their Love of Horror Into Eight Terrifying Titles for American Horror Stories: Season Two
Returning to the show for their second season, Elastic’s Hazel Baird shares their process behind the eerie title sequences, how they assembled each unique team of animators, and their love of all things horror.
RPS Editors Ted Guard and Alyssa Oh Nominated for 2022 Video Music Awards
“All Too Well” and “brutal” are up for awards in the “Best Editing” category.
Creative Directors Duncan Elms and Neil Kellerhouse Create New Motion Logo for Blumhouse
Using their diverse catalog as inspiration, Elastic revamped the cult favorite studio’s branding while paying homage to their extensive work.
Rock Paper Scissors Editor Adam Pertofsky Directs New Documentary Ubuntu
The film showcases the inspirational story of the Mamas of Cape Town – women who came together to protect and uplift their communities during Apartheid.
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a52 Brings Future Tech To Life In New Spots For Apartments.com
VFX Supervisor and Creative Director Andres Barrios and Art Director, Designer, and Animator Ekin Akalin talk about their process behind the latest installments in the Apartments.com campaign
Design in the Gaming Space: A Conversation with Elastic’s Andy Hall
Sit down with Elastic creative Andy Hall for a behind the scenes look at how Elastic approaches gaming projects and the future of this genre.
MakeMake Tells The Story Of Jennifer Lopez’s Remarkable Career In Netflix’s Halftime
Faced with the challenge of distilling decades into one documentary, Halftime shows just how far Jenny from the block has come.
Elastic’s Opening Sequence for Sweeping Drama “Pachinko” Receives Widespread Acclaim
Pachinko chronicles the hopes and dreams of four generations of a Korean immigrant family across Korea, Japan, and America. A story of this caliber required a brilliant title sequence to match, and that’s where Elastic came into the picture.
Elastic Creative Director Margherita Premuroso Brings Her Signature Style to a New Project for Comcast
Using bold colors and playful illustration, Margherita Premuroso animated this commercial series for Comcast which celebrates the dreams of the next generation.
Olivier Bugge Coutté Cuts Oscar-nominated “The Worst Person in the World”
A great film is comprised of all the little things.