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Editing for Feature Film — Television — Music Video — Commercial
VFX — Photo-Real CG — Seamless Compositing
Color & Post for Commercial, TV & Features
Animation — Main Titles — Motion Design — Live Action — Commercials
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The very latest in studio news from the world of MakeMake.
Creative Directors Duncan Elms and Neil Kellerhouse Create New Motion Logo for Blumhouse
Using their diverse catalog as inspiration, Elastic revamped the cult favorite studio’s branding while paying homage to their extensive work.
Rock Paper Scissors Editor Adam Pertofsky Directs New Documentary Ubuntu
The film showcases the inspirational story of the Mamas of Cape Town – women who came together to protect and uplift their communities during Apartheid.
Design in the Gaming Space: A Conversation with Elastic’s Andy Hall
Sit down with Elastic creative Andy Hall for a behind the scenes look at how Elastic approaches gaming projects and the future of this genre.
MakeMake Tells The Story Of Jennifer Lopez’s Remarkable Career In Netflix’s Halftime
Faced with the challenge of distilling decades into one documentary, Halftime shows just how far Jenny from the block has come.
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Elastic’s Opening Sequence for Sweeping Drama “Pachinko” Receives Widespread Acclaim
Pachinko chronicles the hopes and dreams of four generations of a Korean immigrant family across Korea, Japan, and America. A story of this caliber required a brilliant title sequence to match, and that’s where Elastic came into the picture.
Elastic Creative Director Margherita Premuroso Brings Her Signature Style to a New Project for Comcast
Using bold colors and playful illustration, Margherita Premuroso animated this commercial series for Comcast which celebrates the dreams of the next generation.
Olivier Bugge Coutté Cuts Oscar-nominated “The Worst Person in the World”
A great film is comprised of all the little things.
MakeMake Cuts, Colors, and Composites its way through the Super Bowl
a52, Primary, and RPS left their mark on the 2022 Super Bowl campaigns.
Tom Eagles Joins Rock Paper Scissors for US Commercial Representation
The Oscar nominated editor’s brilliant use of satire and affinity for comedy are perfect fits for the RPS roster.
Gregory Reese Colors “Star Trek: Prodigy”
Unlocking new possibilities for perfecting animation with color.