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MakeMake is the product of unbound creativity supported by opportunity. Today it is a collective of best-in-craft talent spanning across multiple companies.
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Multi-Hyphenate Italian Artist Margherita Premuroso Joins Elastic as Creative Director

She is an award-winning art director, character designer, animator and illustrator bringing years of experience and a unique eye to the Elastic team.

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Elastic Designs a Rich Animated Language for Netflix’s Amend

“The 14th amendment is cited in more litigation than any other amendment, from its ratification to today, its relevance has never wavered and yet, we barely know it exists.”

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Elastic Creates the Visual Design for HBO’s “Between the World and Me”

Under the creative direction of Hazel Baird, the title sequence, graphics, and animations helped bring joy and movement to Kamliah Forbes’ screen-adaptation of Ta-Nehisi Coates’ powerful book.

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Elastic Honored with a Multitude of Awards in 2020

Elastic’s trophy shelves are filling up as the design company took home nearly two dozen awards in 2020.

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Elastic Teams Up with Primary On the Main Title for Netflix’s Ratched

Grand. Macabre. Surrealist. The Ratched main title can be described in many sinister ways; typical of a classic Ryan Murphy production, it is an intricately thought out and layered extension of a glossy, psycho-thriller.

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Elastic Motion Designers Hazel Baird and EJ Kang Guest Lecture at Johns Hopkins University

Elastic’s Hazel Baird and EJ Kang had the recent pleasure of sharing their work, tips, tricks, and general career advice during a guest lecture for a film class targeted towards students interested in post production.

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Elastic Partners with UK Animation Studio Feed Me Light for Transatlantic Representation

Like-minds and creative collaboration nets a strong realtionship across the pond.

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Elastic Scores Four Emmy Nominations

Four out of the seven nominations for Outstanding Main Title Sequence went to Elastic.

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Hazel Baird and Heidi Berg Discuss the Opening Titles for Semi-Permanent

Elastic Creative Directors discuss the details behind their opening credits for Semi-Permanent Sydney

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How The Politician Turned Ben Platt Into a Wooden Mannequin

“We had people bringing their woodworking tools in from home,” Berg adds. “We learned so much from them. And actually, the tools you see in the sequence belonged to members of our team.”

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